01

A practical agency evaluation scorecard

A practical agency evaluation scorecard
CriterionSuggested weightEvidence to request
Problem understanding20%Diagnosis, assumptions and questions—not a finished campaign
Relevant capability20%Named specialists, roles, availability and comparable work
Working method20%Planning, approvals, reporting, escalation and learning process
Evidence quality15%Context, agency contribution, timeframe and limitations
Commercial fit15%Scope, fee logic, third-party costs and change control
Team and relationship fit10%Delivery-team meeting and realistic collaboration scenario
02

Decide whether an agency search is the right intervention

A pitch should solve a defined problem, not substitute for a difficult relationship conversation.

Review the incumbent relationship, internal capabilities, budget and future needs. The World Federation of Advertisers’ 2025 principles place more emphasis on repairing and optimising existing relationships before starting a pitch, and on involving stakeholders beyond marketing.[1]

A one-page decision brief makes the search easier to judge. It documents the current problem, required change, decision owner, missing capabilities and definition of success after six or twelve months. If unclear ownership or slow approvals sit inside the client organisation, a new agency may inherit the same frustration.

  • Trigger for the review
  • Scope and markets
  • Budget range and contract assumptions
  • Decision team and decision date
  • Required transition period
03

Build the shortlist around the actual job

The right shortlist contains agencies that could credibly win and deliver the assignment.

Start with required capabilities, scale, location, conflicts, language coverage and delivery model. Do not include a large network and a small specialist studio unless both could realistically satisfy the same brief. Older WFA/EACA guidance recommends avoiding candidates that have no real chance of winning and keeping the final shortlist focused.[5]

Use credentials and chemistry conversations to reduce the list before asking for substantial work. The IPA’s selection guide advocates a fair, transparent process that gives agencies enough information to decide whether participation makes sense and avoids unnecessary cost.[2]

Review the Marketing Portugal provider directory
04

Write a brief that allows fair comparison

A useful brief gives every candidate the same problem, evidence, constraints and evaluation rules.

Explain the commercial context, audience, current performance, previous learning and non-negotiable constraints. Share the budget range when possible. State what you expect at each stage and who will attend. The ANA and 4A’s simplification work identifies budget disclosure, clear success criteria, decision-maker participation and timely feedback as important parts of a better search.[3]

Avoid asking agencies to solve the entire annual plan for free. A working session, diagnostic response or limited paid assignment often reveals thinking and collaboration more honestly than speculative finished creative.

05

Meet the people who will deliver the work

Team continuity and access matter as much as senior-level chemistry during the pitch.

Ask each agency to name the day-to-day lead, channel specialists, strategic support and executive sponsor. Clarify which roles are employees, contractors or shared across accounts. Request expected time allocation where it affects delivery.

Use one meeting to work through a realistic scenario: conflicting feedback, a missed target or an urgent change. Observe how the team asks questions, challenges assumptions and assigns decisions. Current industry guidance increasingly treats selection as the start of a long-term partnership rather than a presentation contest.[1][4]

06

Interrogate case studies and commercial terms

Evidence is useful only when the agency’s contribution and the operating conditions are clear.

For each case study, ask what the client situation was, what the agency controlled, what changed, over what period and which external factors influenced the result. A famous logo without method or context proves very little about fit for your assignment.

Compare fee structure, included roles, third-party costs, production, technology, travel, usage rights and change control. A lower headline fee can become expensive when essential work sits outside scope. Request assumptions in writing and model one plausible scope change before appointment.

Use the agency comparison tool
07

Evaluate consistently and plan the transition

A written scorecard reduces recency bias and turns onboarding into part of the selection.

Have decision-makers score independently before the group discussion. Record reasons, not just numbers. Weighting should reflect the assignment: a regulated multi-market account may require different governance from a focused creative project.

Before final approval, agree the first 90 days, information access, measurement, meeting rhythm and handover responsibilities. Notify unsuccessful agencies promptly and provide useful feedback. Fairness is not only courteous; it protects the quality of future agency participation.[3][4]

08

FAQ

Frequently asked questions

How many agencies should be invited to pitch?

Keep the final shortlist small enough for a fair, informed process. Three or four credible finalists is a common industry recommendation, but the right number depends on procurement rules and assignment complexity.

Should a company pay agencies for pitch work?

If the process requests substantial original strategy or creative work, a pitch fee or paid pilot is fairer and can improve the quality of participation. Clarify ownership and usage rights in advance.

What is the difference between an RFI and an RFP?

An RFI collects capability and credentials information for early screening. An RFP asks shortlisted agencies for a response to a defined assignment, commercial requirements and evaluation process.

Should price be the main selection criterion?

No. Price must be affordable and transparent, but should be assessed alongside capability, working method, evidence, team quality and the cost of managing gaps or scope changes.

How can a small business evaluate agency case studies?

Ask for the starting problem, the agency’s specific role, timeframe, resources, measurable change and limitations. Prefer a relevant modest case over a famous but unexplained client logo.

When should the incumbent agency be included?

Include the incumbent only when there is a genuine possibility of reappointment and the process is fair. First decide whether the underlying relationship can be repaired without a full search.

09

Sources and further reading

Editorial method: written around the stated decision, checked against the primary and industry sources below, and reviewed in Portugal. No provider paid for inclusion.

  1. WFA and VoxComm — Agency Selection Guiding Principles

    Current people-first principles for agency selection and relationship management.

  2. IPA and ISBA — Finding an Agency

    Best-practice guidance for fair, transparent search and pitch processes.

  3. ANA and 4A’s — Agency Search Simplification Report

    Industry research on briefs, budgets, decision-makers, IP and feedback.

  4. IPA — The Good Pitch

    Practical guidance on efficient, sustainable client-agency selection.

  5. WFA/EACA — Client-agency and pitch guidelines

    Detailed shortlist, RFI, RFP and pitch-process recommendations.